The Beatles: Japan only 1969 Glyn Johns mix --- Let It Be 50th Anniversary Edition

だそうで。ミスったのか、意図的なのか、気づいたけどもうプレスしてたから差し替え無理〜となったのか。いずれにせよ、日本盤CDとそれ以外盤CDではGlyn Johns盤のミックスが異なる。日本は1969年ミックス、それ以外は基本1970年ミックス（1969年ミックスとの微妙なハイブリッドも含む）。だから日本盤はコレクターズエディション、になるかという情勢。

 

GJはMay 1969にミックス。でも不採用。で、Jan 1970に再度ミックス。これも不採用。ということで、GJミックスは２つある、ってことがそもそもの話。


めんどくさいね〜。スーデラエディションを２セットも買えないでしょ、さすがに（個人的には何一つ買っていないが）。というかYouTube等でいろいろオフィシャル公開されているわけだから、買わなくとも聞ける。それらはたぶん1970。

 

土壇場で音質に優れた1970を採用し、それを「1969」と表記、というか表記を変更せず。だからYouTubeで公開されている「1969 Glyn Johns mix」は本当は「1970」、という話らしい。海外盤もしかり。

 

なお、そこで聞ける"Teddy Boy"は音質がベターだが、ただしこれの1970 mixはない（1970年GJ版収録曲からこの曲は外されたわけだから）。音質がよいマスターが見つかったらしく。

 

それにしても、モックアップ映像と異なり、実際のGet Backのジャケ写クオリティの低さといったらないね。

 

以下、掲示板からの貴重な情報。

 

Wrong Masters for the ‘Glyn Johns 1969 Mix’, and Japan came to rescue.

Universal Music in Japan did receive the correct master for disc 4 (GLYN JOHNS 1969 MIX) and is available in the SDE SHM LET IT BE 50th ANNIVERSARY edition. The European version that we will now call "REST OF THE WORLD" (ROW) uses a combination and several edits on many tracks with the Glyn Johns' 1969 and 1970 mixes, possibly thinking that presenting a superior sound quality was much better although the mixes were not right ones. Several years ago Apple used incorrect mixes in the official Beatles discography, as in CAPITOL ALBUMS VOL. 2 and the “Love Me Do” Anniversary vinyl, both of which were withdrawn and replaced with the correct mixes; we do not know if the same will happen with LET IT BE 50th, or if the Japanese boxes will now be the most sought after by collectors, but this could be the first time that the same official release has a completely different disk at the same time but in different markets.
There are very noticeable differences in each mix, not only in speed but in prominence of some instruments or a different vocal in one track, here is a quick analysis between the JAPANESE and EUROPEAN versions of the Deluxe box of Let It Be, DISC 4, released last week, using a software to play both versions at the same time.

Total length of each disc:
SHM JAPAN: 42:57
EUROPEAN ROW: 42:52


1 & 5- ONE AFTER 909 – I’VE GOT A FEELING
SHM JAPAN: 1969 MIX with the speed one second slower throughout the track.
EUROPEAN ROW: 1970 MIX with the speed one second faster throughout the track.
The frequency graphs of ‘One After 909’ show different patterns in some sectors. ‘I’ve Got A Feeling’ is completely out of sync.
[​IMG]

2. MEDLEY: I’M READY (AKA ROCKER) / SAVE THE LAST DANCE FOR ME / DON’T LET ME DOWN
SHM JAPAN: 1969 MIX
EUROPEAN ROW: 1970 MIX
There is no additional difference in speed.

3. DON’T LET ME DOWN
SHM JAPAN: 1969 MIX with slightly slower speed.
EUROPEAN ROW: 1970 MIX with slightly faster speed (00:19- 1:25 and corrected at 1:26) due to a 'glitch' in the tape that Apple used in 2021 and that it is possible to hear to between 00:19 and 00:20 during John's words to Ringo: "Do a nice big pshhhh (imitates the sound of a cymbal) .. for me, you know, to give me the courage to come screaming in", and now we hear the glitch at the moment of saying the word "big", which is cut off. The phrase without this problem can be heard on the Japanese disk.

4. DIG A PONY
SHM JAPAN: 1969 MIX ,but the glitch that appears in the original 1969 mix before starting the song has been removed.
EUROPEAN ROW: 1970 MIX with slightly faster speed.

6. , 9., 10. & 13. GET BACK, TWO OF US, DIG IT & THE LONG AND WINDING ROAD
SHM JAPAN: 1969 MIX with an 'opaque' sound and slightly slower speed.
EUROPEAN ROW: 1970 MIX with a completely brilliant sound from a higher quality tape and slightly faster speed.


7. FOR YOU BLUE
SHM JAPAN: 1969 MIX with George's original vocal recorded in 1969.
EUROPEAN ROW: 1969 MIX (00:01- 00:14 from a different source with much more “hiss” noise than the Japanese version) + 1970 MIX (00:15- 02:54), with the vocal overdub of George from 1970, different in several verses combined with the 1969 vocal.

8. TEDDY BOY
SHM JAPAN: 1969 MIX with an 'opaque' sound.
EUROPEAN ROW: 1969 MIX with a completely brilliant sound from a higher quality tape.
There was no Glyn Johns 1970 mix for this song.


10. MAGGIE MAE
SHM JAPAN: 1969 MIX with an 'opaque' sound.
EUROPEAN ROW: 1970 MIX with a completely brilliant sound.

12. LET IT BE
SHM JAPAN: 1969 MIX: With an "opaque" sound and a speed one second slower, from the beginning the whole track is out of phase compared to the next one.
EUROPEAN ROW: 1970 MIX (00:01- 04:01) with brighter sound and one second faster speed + 1969 MIX (4:02- 4:09 during the final dialogue. The change in sound is very noticeable)

14. GET BACK
SHM JAPAN: 1969 MIX with slightly slower speed. The "hiss" on the tape is noticeable during the ending, which is not heard on the European version.
EUROPEAN ROW: 1969 MIX (00:00- 00:01 "hiss" sound) + 1970 MIX (00:02- 00:40) with slightly faster speed. The "hiss" noise is not present during the end compared with the Japanese version. 

 

courtesy of mikecarrera

 

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